.page_link a:hover { background: #000000; color: #ffffff; text-decoration: none;

Hotel #4
, Spring ‘18

Jonathan Chandler
, a study of a film still, Le diable probablement, Robert Bresson, [1977]


Rebecca Tamás
‘St. Joan in Idaho’
John Yau,
‘Fortunes, Favorite Sayings, & Assorted Sundries from a Blacke Calendar
Luc Sante
‘Dear Messiah’
David Kishik,
‘Terms of Service’
Scott McLanahan,
‘Sarah [No.3]’ 
Pascal Richmann, trans. Amanda DeMarco
‘Smoke of the World’
Jim Hugunin,
‘(2 verbal translations of) Famous Photographs’
Nona Fernández, trans. Ellen Jones,
Richard Scott & Vala Thorodds
a poem called ‘come’ (after Paul Verlaine)
Bill Callahan,
‘13 Letters to Emma’
Jason Shulman,
‘Bad Science’ - Hotel in conversation with the Artist
Oliver Goldstein,
‘The Virgil Hunter Love Sequence’
Leah Sophia Dworkin,
‘Tuesday at Six?’
Iris Smyles,
‘Philip & Penelope in a Variety of Tenses’
Livia Franchini & Serena Braida,
‘On Complicity’ [i, & ii], ‘Cha-Cha,’ & ‘Your Mouth’  
Daniele Pantano,
‘Twilight of the Poet: The Lack of Critical Scholarship associated with the poet Jose Mengele’
Scott Esposito,
‘Rothko Chapel’
Hisham Bustani, trans. Maia Tabet,
‘Quantum Leap’
Carol Mavor,
‘Like Water in Water’
Mark Kozelek,
‘Yellow Kitchen’
David Lowery,
‘Party Scene’
Joanna Rafael Goldberg,
& an epigram by Britain’s most isolated cartoonist, Jonathan Chandler


Hotel #4 was edited by Jon Auman
                                      Thomas Chadwick,
                                      John Dunn
                                      & Dominic Jaeckle

(With editorial assistance from - and thank’s to -
Charles Boyle & Frederic “il padrino” Tuten)

Hotel is designed & typeset by Niall Reynolds